🔵 THE MANIFESTO1789 ○ Last Day Out / Houses

20 Mars 2026

From ITALY

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ast Day Out / Houses - out March 20, 2026 - is a kind of digital 7", with Side A and Side B, and it marks the comeback of THE MANIFESTO1789, trio from Ravenna already well-known in the psych rock scene for their two albums, Maximilien (2019) and Season of Miranda (2023).

Last Day Out / Houses is a visionary diptych showcasing interior landscapes, distorted memories, and symbols of a restless Europe. The two tracks interact like chapters of a single psychedelic drift: a journey that begins on the last day "outside" and ends within the structures—real or mental—that define and imprison us.

Last Day Out, the "A-Side", unfolds a flurry of feverish images: quotes evoking a continent hovered by shadows, incandescent boulevards, golden silhouettes, lysergic dancehalls. The voice struggles between escape and attraction, between the desire to let go and the need for an impossible return. It's a song that thrives on contrasts: decadent romanticism, rock pulses, chemical visions, and intimate confessions.

Houses, the "B-Side" is the dark counterpart. Now the world is locked in the aftermath of a post-apocalyptic ceremony. Houses is built on the concept of dynasties and belonging, of bonds handed down through generations, which shape the identities of those who belong to them.

The song unfolds in a hypnotic and ritualistic atmosphere, completing the journey begun with Last Day Out and leading it toward a more interior, darker and symbolic dimension.

The music video for Last Day Out is actually a flow of flashing visions, a feverish mosaic of fragments that seems to spring directly from the mind of the song's narrative Ego.

Incandescent nightscapes, blank spaces, shadows crossing the screen: everything contributes to a sense of continuous movement, of searching, of lucid disorientation.

The images flow like memories that cannot be fully grasped, as if the shooting took place on the last day "outside", before an irreversible transition.

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This artistic choice reflects the nature of the song: a psychedelic journey between attraction and escape, between the desire for moving forward and the nostalgia for what is being left behind.

The creative editing work of Matteo Pozzi (Cacao, Action Man) amplifies the feeling of the Time itself fragmenting and shattering, resulting in a psychotropic visual diary, a haunting collage that doesn't explain, but rather suggests.

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